After last year's duo of EP's Andy Stott is back with the full length album "Luxury Problems" on Modern Love. This time he uses a female guest vocalist on the majority of the tracks, something that adds a new dimension to the dubbed out, broken house beats he churns out. Sometimes the result reminds me a little of Portishead or even more so Massive Attack, and not in any bad way. It's a very coherent album with with a very high standard, and should be listened to as such. The only track I find myself skipping on occasions is the opener. Don't know why, but to me it seems less interesting than the rest of the album. The finishing "Leaving" is probably the most accessible track, and probably also my favorite of the bunch. Nevertheless it's a great album, and if you haven't checked out Stott before, now is surely the time.
Read full review of Luxury Problems - ANDY STOTT on Boomkat.com ©
Showing posts with label Modern Love. Show all posts
Showing posts with label Modern Love. Show all posts
1 November 2012
28 October 2012
Vatican Shadow at Fylkingen
A couple of weeks ago Dominick Fernow's Vatican Shadow headlined an event arranged by Ideal recordings and Konspirationen at the legendary electronic music venue Fylkingen in Stockholm. The VS gig was part of Fernow's current European and American tour. The other acts playing was Joachim Nordwall, Diskrepant and Dungeon Acid. I was supposed to spend the evening dressed in black tie at my father in laws rather fancy gentlemen's club, but that got cancelled in the last minute and I was able to head of to Fylkingen instead.
The first act out was Ideal owner Joachim Nordwall with a twenty minute barrage of analogue drones. The venue was pitch dark, only intermittently lit by a strobe set at a the lowest possible speed. Then Diskrepant presented a drone set of about the same length. While Nordwall seems to use synthesizers as the main sound source, Diskrepant works with contact microphones and effect boxes as his source material. The result is somewhat less confrontational, leaning more towards the meditative side of drone and dark ambient. Both sets were good, immersing affairs, making you feel slightly dazed afterwards.
The next act out was Jean-Louis Huhta's Dungeon Acid. I've seen DA live once before, at a similar event at Fylkingen in 2010. That was a good one, but this was even better. DA's music could be described as acid techno that blends industrial electronics with classic Detroit vibes. The set played this evening stretched for an hour of non stop beats, but never got boring. Huhta produces some of the most interesting stuff in this genre today. I picked up his latest cassette release "Bliss" at the show. Although a bit calmer and laidback than the music produced live it's well worth checking out.
Then it was finally time for Vatican Shadow. Visually Fernow presented a rather toned down affair, the only thing representing the religious war theme of the project was the American desert style military jacket he put on for the show. At the beginning of the gig Fernow looked much like the other acts, a man crouched over a table full of electronics, but as the music progressed and got more aggressive, so did his movements culminating in spasmatic convulsions, marching and shadow boxing, producing a spray of sweat a couple of meters around him.
The music presented at the 40 minute set brought Vatican Shadow releases such as "September Cell", "Operation Neptune Sword" and the Modern Love album "Ornamented Walls" (that includes ONS) to mind. In other words more distorted and aggressive than some other releases from the project, even though there were quieter parts of the show as well. When the gig finished I ran stunned to the underground to catch a train. Vatican Shadow is surely one of the most interesting projects in the dark techno post-industrial scene right now.
The first act out was Ideal owner Joachim Nordwall with a twenty minute barrage of analogue drones. The venue was pitch dark, only intermittently lit by a strobe set at a the lowest possible speed. Then Diskrepant presented a drone set of about the same length. While Nordwall seems to use synthesizers as the main sound source, Diskrepant works with contact microphones and effect boxes as his source material. The result is somewhat less confrontational, leaning more towards the meditative side of drone and dark ambient. Both sets were good, immersing affairs, making you feel slightly dazed afterwards.
The next act out was Jean-Louis Huhta's Dungeon Acid. I've seen DA live once before, at a similar event at Fylkingen in 2010. That was a good one, but this was even better. DA's music could be described as acid techno that blends industrial electronics with classic Detroit vibes. The set played this evening stretched for an hour of non stop beats, but never got boring. Huhta produces some of the most interesting stuff in this genre today. I picked up his latest cassette release "Bliss" at the show. Although a bit calmer and laidback than the music produced live it's well worth checking out.
Then it was finally time for Vatican Shadow. Visually Fernow presented a rather toned down affair, the only thing representing the religious war theme of the project was the American desert style military jacket he put on for the show. At the beginning of the gig Fernow looked much like the other acts, a man crouched over a table full of electronics, but as the music progressed and got more aggressive, so did his movements culminating in spasmatic convulsions, marching and shadow boxing, producing a spray of sweat a couple of meters around him.
The music presented at the 40 minute set brought Vatican Shadow releases such as "September Cell", "Operation Neptune Sword" and the Modern Love album "Ornamented Walls" (that includes ONS) to mind. In other words more distorted and aggressive than some other releases from the project, even though there were quieter parts of the show as well. When the gig finished I ran stunned to the underground to catch a train. Vatican Shadow is surely one of the most interesting projects in the dark techno post-industrial scene right now.
18 August 2011
Miles
Miles Whitaker är ena halvan av Demdike Stare, vars fantastiska dubradiofoniska hauntologi-utflykt Tritych jag lyssnat en hel del på under våren. Whitaker är också ena halvan av Pendle Coven och har tidigare gett ut egen musik som MLZ. Nu debuterar han under eget namn (nåja, eget förnamn i alla fall) med en trettio minuter lång EP på Modern Love. Musiken på Facets känns som en technoversion av Demdike Stare ungefär. Dubinfluenserna och den mörka grundtonen känns igen från DS, men de hauntologiska samplingarna är frånvarande. Mörkt och repetitivt men samtidigt märkligt upplyftande på något vis. Och ett fantastiskt omslag!
Read full review of Facets - Miles on Boomkat.com ©
Read full review of Facets - Miles on Boomkat.com ©
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